Queen of the Italian Pigs, the Cinta Sensa

The breed of Cinta Sensa, a Tuscan pig, was most notably used for racing in prior times, but now the source of gourmet, pricey meat.

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Toscana and Chianti News says:

you can find examples of these animals in very old paintings, in the fresco “Good Government” by Ambrogio Lorenzetti for example, on display at the Palazzo Pubblico in Siena, there is a farmer walking with his Senese pig held by a leash. This special kind of pig is also visible in paintings by Bartoli di Fredi ... also in a more recent painting by Giovanni Fattori. 

The Cinta Senese is the forefather of all the Tuscan pigs. It is almost savage and very resistant to bad weather, for these reasons it represented a secure food reserve for the farmers and their families. This type of swine grows very slowly (the slaughtering age is never less than 12 months) and this is one of the reasons to why farmers, in the past, abandoned this race in favour of races which grow much faster. The pigs are raised half wild feeding in the woods and on pasture hills and fields. 

They are immediately recognisable thanks to its large white “belt” around the neck on the black body, they have a short and thin bristle, a pointed nose, sloping ears and a slanting, robust back. The fragrant pork is optimal for cooking but it’s mainly used for the production of various kinds of tasty cold cuts. Classical are the “prosciutto alla spalla” (shoulder ham) and the “salami al lardo e il capocollo” (salami of lard and top neck); typical Tuscan products of the highest quality that you just can’t resist.

"Good Government” by Ambrogio Lorenzetti, 1338

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Giovanni Fattori, "Two Pigs on Pasture"

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My daughter and I were lucky enough to visit the Tuscan area together in 1997, and shopped at a specialty meat shop in San Gimignana (Town of Towers).  If you look closely, the Cinta Sensa boar heads are at the top of the picture on either side of the entry into the shop.  (Daughter Heidy is posed next to a wild hare.)

1997

We tasted some of the Tuscan boar, along with other specialty items.  I just remember the meat was spicy, and the day was cold, rainy and very dark; not surprising that the camera was not well focused.

I'll be posting some watercolors of these pigs later this week.  Here is my start to a sketch of "Queens Of Italian Pigs" that will be painted with watercolors: 

Finches

...for PPF

 (Watercolor on canvas)

My mother always called it a nest, the multi-colored mass harvested from her six daughters' brushes, and handed it to one of us after she had shaped it, as we sat in front of the fire drying our hair. She said some birds steal anything, a strand of spider's web, or horse's mane, the residue of sheep's wool in the grasses near a fold where every summer of her girlhood hundreds nested. Since then I've seen it for myself, their genius— how they transform the useless. I've seen plastics stripped and whittled into a brilliant straw, and newspapers—the dates, the years— supporting the underweavings. As tonight in our bed by the window you brush my hair to help me sleep, and clean the brush as my mother did, offering the nest to the updraft. I'd like to think it will be lifted as far as the river, and catch in some white sycamore, or drift, too light to sink, into the shaded inlets, the bank-moss, where small fish, frogs, and insects lay their eggs. Would this constitute an afterlife? The story goes that sailors, moored for weeks off islands they called paradise, stood in the early sunlight cutting their hair. And the rare birds there, nameless, almost extinct, came down around them and cleaned the decks and disappeared into the trees above the sea.  Darwin's Finches by Deborah Digges

(Close up from watercolor above 5/31/12: NAM)

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Frog's a Jumpin'

...on silk

Dimensions finished: 16" x 20" under glass; mat size opening: 10.5" x 13.5"

I finally completed a frog painted on  8 mm silk with colors that blended correctly.  It was set with steam for three hours on top of the stove, then ironed and matted and placed in a purchased frame under glass.

Close up of Mr. Frog who is about 11" in length

This was one I painted a few weeks ago on thinner silk, using basically the same line drawing, but with less dye, and transparent gutta, making a softer effect:

Minnemie first painted a frog on lily pads in watercolors.  She was kind enough to let me take inspiration from her art.  I loved the way she made the colors flow, and thought it would make up well in silk. (please do make a visit to her blog as she shows her wonderful watercolors here on her blog).  Minnemie also quotes nice verse along with her painting.  You will enjoy her musings.

A Nice Pair of Socks and a Watercolor

...are finished.  Hermione's Everyday Socks were knit from a free pattern available here on Ravelry.  It is the second pair I've knit from that same pattern.

The yarn was purchased almost two years ago at The Rummer Tavern in Cardiff, Wales at a meet up with independent yarn dyers.  Thanks, "Jellybean," for this nice sock yarn you dyed in autumn colors.

The heel was knit in a different yarn just for the grins of it.  It took about two weeks to knit this pair.  And that yarn is exactly the colors in my old Keen Sandals...

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Then I saw a little bird that I thought would look cute hanging on a clothes line with my knitted socks, so I drew it and painted it in those Derwent Inktense pencils.  Here it is:

(Next time I'll use watercolor paper; this was painted on a canvas board...not such a good idea, but fun.)

Inspiration Avenue Challenge: A Mother's Hand

Happy Mothers' Day to All

Inspiration Avenue, hosted by Shelley and her mom, Loretta, is challenging you to participate in something to do with a mother's hands.  Loretta says...

Did you know that the word hand appears in the King James Bible 1296 times? Now that definitely shows us how important hands were to God, our creator. Don’t you know He put a lot of thought into creating our hands, knowing all the things they would do for us in our day to day activities?

Being uninspired, but loving the picture of my mother and me in 2000 just before she died, I used it as a tool to try and draw my mother's hands; in this case, it was her left hand.  

I had always loved her hands.  Those bright red fingernails were one of her fashion signatures.

This is the sketchbook drawing:

And here is mother's (cropped) left hand.

It was a true art challenge, but it was a way to say "Happy Mother's Day" in a fond remembrance.

Please go here and join in the challenge.

also for ppf

National Poetry Month and a Creative Challenge

On Inspiration Avenue, and in conjunction with National Poetry Month, we have a weekly challenge.

April is National Poetry Month and in honor of that... a challenge to revolve around poetry, but also include other forms of the written word, a favorite quote, or novel, or perhaps merely a special word. What inspires you, and how does it make you feel? Pour out those feelings artistically! Whether in oils, collage, watercolor, mixed media, photography, digital art... anything goes, just express it!

Iris are fun to paint, and inspire me.  So I decided to find a poem about iris and then paint one or two.  Here is a poem about iris written by Edith Buckner Edwards in 1961:

Iris, most beautiful flower,
Symbol of life, love, and light;
Found by the brook, and the meadow,
Or lofty, on arable height.
You come in such glorious colors,
In hues, the rainbow surpass;
The chart of color portrays you,
In petal, or veins, of your class.
You bloom with the first in Winter,
With the last, in the Fall, you still show;
You steal the full beauty of Springtime,
With your fragrance and sharp color glow.
Your form and beauty of flower,
An artist's desire of full worth;
So Iris, we love you and crown you,
MOST BEAUTIFUL FLOWER ON EARTH!

Inspired by iris, I got out the silk paints and spread them and all the paraphenalia that goes along with painting on silk, and began this painting with iris as the theme.  It took about a week to complete.  It is ready to frame in a convenient size of 16" x 20".  This is my answer to the Inspiration Avenue weekly challenge.

Jacquard Silk Paints

They arrived, the silk paints, that is.

Their colors are varied and the maker numbers are 721, 745, 701, 722, 712, 730, 715, and 735 in addition to the 11 year old colors (number 717, 732, 706 and 701) that are just becoming depleted.  Love the vibrancy.

Works in progress that needed extra colors are this

and this

Finished works tomorrow?

RookiePainter Entry for March 2012

There are many fun places in blogger land to see others' artwork and challenge yourself with improving your personal art skills.  Some sites I found to peruse other works and to enter art challenges are:

RookiePainter

Sketching in Nature

The Jane Eyre Challenge at Pen and Ink

Inspiration Avenue

At the Rookiepainter, the current contest in March is to provide a sketch or drawing of this photo of a drawing of a copper pot and a silver pot:

This is my pitiful rendition:

It definitely reeks of rookiness, compared to some other entries, although I think the silver pot is pretty good (watercolor on art card).

Go go the RookiePainter blog to enter the contest and see some beautiful watercolors!

Green Man Forest Legend

That ubiquitous symbol of the Green Man is prevalent in European countries.  He is found on doorways and pub walls, in hotel entrances and outdoor venues, and of course, in the forest.  He comes in many forms and looks quite different each time you spot him.

(pinterest)

The Green Man

...is that spirit, energy, presence, inherent in every cell of the vegetative realm, and transmitted to the animal/human realms through the foods we eat, the flowers we smell, the trees we hug. He is Pan.

The Green Man I found online is cast iron and is weathering nicely on our back yard gate where he has kept company with the outdoor creatures for just over a year.  Here is our green man, guardian of the gate,  ready for a bit of artificial ivy to be twined around his head when the weather turns a bit warmer.

Yesterday I laid in a supply of green acrylics and will paint our garden shed door with a green man face so that he can keep the dogs company while they play outdoors.  This is a rough picture of the green man I'll paint on the shed bi-fold doors, starting today, hopefully:

Look for an update next week on the Green Man permanently residing on the outdoor shed.  Those acrylic paints last a long time.

Sheep on the Wall

Why not have some sheep to keep me company in my craft room?  And maybe they could knit along with me. There's an idea.

Folk art has easy lines and is fairly quick to draw.  Inspiration came from Kathy's Needleworks in the form of canvases for needlepoint.  I copied John Blake's sheep from a canvas available at the needlework site.  After sketching them onto the wall, I then painted them in acrylics.  It is about half finished in the above picture.  If the next owner of the house does not want sheep in this room, a quick primer and another coat of paint will cover over the critters.

(Finished: inside dimensions 40" x 32")

Rough cut 2 inch firring strips frame the sheep; they are stained and add a barn-like touch.

But for now, those woolly gals are just making me happy and keeping me company while I knit Piper's Journey Shawl in a celestial blue that is 15% cashmere and 85% merino wool.

 The sheep approve.

Professional Looking Postcards @ Low Price

Find of the week: you can order 100 postcards on heavy stock from Postcards.  And they arrive within the week.

A good value for less than $20, including shipping.  They will be used for thank-you cards, invitations and quick hello's to out of town friends.  When you consider you pay over $3 for about any ready-made card, it was a steal.

The image is glossy and looks very professional (it was uploaded from my computer from a watercolor I painted ten years ago in dimensions of 21" x 25").  Postcards even enhanced the colors.

Silk Painting continues

First posted here with an excellent tutorial on painting with silk dyes referenced here (including steam setting the dyes), this picture is the fifth dining room chair seat now finished.  The size before covering the seat was 25" x 25", with a bit of waste allowed on all sides for wrapping around the sides of the cushion.

Embroidery: Urban Themes

Spending time over at the Flickr group on Urban Embroidery, some amazing artwork can be seen.  Here are some examples:

Sarah Walton has these pieces:

(I love the dimples in the back of the knees and the pensive look on the face of the dog.)

(Does this not just scream BFF! and dogs that are wary)

(Do you see these two out for coffee and the pup waiting for a bagel bite?

And from Lucky Jackson on Flickr:

You can purchase Lucky's embroidery patterns here.

Painting on Silk

Silk painting originated in China, going back to 2600 BC. Long before paper was invented/made, silk was a medium on which to paint. Silk is durable, portable, and readily rolled for travel.  From this site:

Silk was chosen as an artistic surface not only because of its soft, luxurious feel, but also for its practicality. Silk is light, easy to cut into any desired shape and size and is convenient to carry. Chinese artisans prepared the silk for painting by beating it on a stone slab until the surface became very smooth. After the silk was prepared, the color pigments or ink tones were applied slowly and carefully.

And what lovely works have survived over the centuries. Bing has a large collection of images of ancient silk paintings; this is just one example:

Western Colorado, where I reside, is fortunate to have a variety of talented artists displaying talents in multiple media effects. Vera Mulder is one such artist who has refined batik painting and has a large following of admirers of her work.  As a teacher, painter, photographer and ceramist, she can be found here (with drawing classes the second week of February and more information).

This is one in a series of gorgeous batiks that Mulder showed at The Blue Pig recently:

From All About Fruita:

...a series of batiks titled Rhythms in Red, this batik by Mulder features rich red and lines that create movement for the eye. Cards and prints of the series can be found at Blue Pig Gallery, Palisade, Colorado and Oakley Gallery in the Interiors building, Grand Junction.

(this one can be viewed at the Oakley Gallery in Grand Junction, CO)

And across the pond, from Surrey, United Kingdom, some beautiful paintings on silk can be found at TheWoodFairy's blog, and the author and painter, Betty, has given her permission to show a few of her works here. (If you copy any of her paintings, please be sure to link back to TheWoodFairy.)

Betty's art blog, Imaginary Brushstrokes, can be accessed here.

The Wood Fairy (Betty)  gives a tutorial on how she creates paintings on silk which you can also access at this site.  Another excellent tutorial on painting on silk can be accessed at this site on Chinese painting.

Betty painted the one below for her brother, saying..

I have included the Celtic symbols for the word 'strength' on one of the oak leaves. The oak is regarded as the symbol of strength.

If you are interested in trying this technique, products are readily available from most art suppliers. Several years ago I purchased fabric dyes and raw silk over the internet.  The raw silk was cut to fit six dining room chairs, and then I painted onto the raw silk in colors matching the tile floor on the dining area floor.  Those chair seats are still in use, but I have noticed that they need to be refreshed with more paints as the years have faded the colors.  Or is it that just the wear of sitting on those cushions has caused the dye to fade?  Either way, my next painting project is to re-paint and re-cover those chair seats.

One complete site relating to products needed for painting on silk gives a complete listing of available items including dyes, paints, silk material, resists, etc. This site, Dharma Trading, can be accessed here where I purchased the Jacquard brand dyes and resist products over ten years ago, and the dyes are still strong and vibrant.

For further assistance in painting on silk, a book entitled Beginner's Guide to Silk Painting by Mandy Southan (Search Press Limited, 1997, Great Britain) was my inspiration into dyeing on silk fabric.  This little book (available on Amazon) is a gem and highly recommended if you desire further instruction. Southan gives gorgeous pictures and detailed, step-by-step procedures.  If I can do it, so can you!

Update: as soon as my husband read this post, he asked when those dining room chairs were going to get reupholstered.  Sigh.

Christmas: A Picture and a Recipe (and Green & Red Socks)

Raphael Raffaello Sanzio da Urbino (1483–1520), Detail of Angel c 1499-1502

Let's call them Christmas Socks.  The pattern is L.Linneman's, free on Ravelry and found at this site.  The technique used is called "afterthought heel" in that the sock is knit as a tube, and then the heel is put in after the tube has been completed.  A YouTube video found here helps in learning how to knit the afterthought heel.

And on another note:
Christmas cookie baking this year in the Kinsey-McCarroll household has been a bit spare. One batch turned out acceptably.  That term is used loosely.  They were acceptable in that eating just one cookie would fill your tummy for the entire morning...a little too loaded with every dried fruit in the cupboard, with chocolate to boot.  So next on the baking agenda are some lighter, fluffier cookies.

My friend Natalie liked these little jewels, so I tracked down the recipe, courtesy of King Arthur Flour.

Soft and Chewy Vanilla-Orange Cranberry Cookies
These cookies remain beautifully soft for days, and their flavor is outstanding: bold orange and cranberry, complemented by a hint of aromatic vanilla.

1/2 cup (8 tablespoons) butter
3/4 cup sugar
grated peel of 1 medium to large orange
1 teaspoon vanilla extract
1/4 teaspoon baking powder
1/2 teaspoon salt
1 large egg
1 1/2 cups Flour
2 cups dried cranberries; or a mixture of dried cranberries and toasted chopped walnuts or pecans

read more for how-to's: