Huck, or Swedish Weaving

Swedish weaving is an old craft with colored threads working designs upwards in repeating patterns to make a repetitive motif. This type weaving is a surface embroidery where the floss/yarn is woven under the top threads of the fabric "floats". Rarely does the floss penetrate to the wrong side of the fabric.

While doing a bit of web surfing regarding this embroidery craft, I came across an interesting blog about huck weaving. It can be found at Quilting Memories, along with an explanation of Swedish weaving (huck weaving).

Another site, with a “how-to” guide on this type fabric embellishment is found at Huck Embroidery How-To.

... Monk's Cloth has become popular for making afghans, baby blankets, pillows, and even tote bags. Aida cloth can be used as well as most pre-finished items used for cross stitch such as towels, bookmarks, and baby bibs. When working on Monk's cloth, which is approximately 8 squares per inch or 4 floats, with yarn, you may use a size #16 or #13 tapestry needle as well as the special bodkin and weaving needles they now have out. For stitching on smaller fabric though, use a blunt tapestry needle, such as when working with cross stitch. Make sure the needle easily moves under the floats of the fabric you wish to use. The tightness of the fabric weave will also determine how easily a needle will slip under the floats. (from Here and Above).

Carol Selfors, a local friend, brought this craft to my attention and shared with me a few of the blankets in her stash for illustrations to this post. Carol has made several lovely items using this thread technique for pattern design. Here are a couple of pictures of her blankets graced with huck weaving:



Many huck weaving patterns can be found here at: crafts.

Embroidery: Urban Themes

Spending time over at the Flickr group on Urban Embroidery, some amazing artwork can be seen.  Here are some examples:

Sarah Walton has these pieces:

(I love the dimples in the back of the knees and the pensive look on the face of the dog.)

(Does this not just scream BFF! and dogs that are wary)

(Do you see these two out for coffee and the pup waiting for a bagel bite?

And from Lucky Jackson on Flickr:

You can purchase Lucky's embroidery patterns here.

Faux Pearls, Satin Ribbon and Lace Bible for Brides

Are you looking for a unique bridal gift? Try using your embroidery and beading skills to embellish a Bible for use in the wedding ceremony.

If you would like to design a personalized Bible covering, here is a website where standardized sizes for Bible slip covers can be found for purchase. You can use this type base for cross-stitch, embroidery and beading to create a unique and beautifully crafted keepsake.

Aunt Mary George made me this Bible cover back in the 60's when I married my children's father. As you can see, I could not bear to discard it. Perhaps it can be repurposed for another wedding years later, if the bride cares to use it as a "something old, something new, something borrowed, something blue" sentiment to be carried for the ceremony.

The yellowing of the white lace adds to the vintage look, so perhaps only a touch of new ivory lace is all that will be added for a later bride.

Then again, if the bride and groom trade vows while skydiving or wearing hiking boots on an Australian walkabout adventure, this sentimental touch would be a bit anachronistic.

Maybe I'll just hang on to this vintage decorated Bible as a touch of the past.

Sewing Notions: Necklace You Don't Want to be Without!

When knitting or sewing, it seems like embroidery scissors, a measuring device, pins, knitting bead markers, etc. never seem to be quite within easy reach. While browsing craft ideas, I came across a clever sewing caddy which could be made fairly quickly and inexpensively. When I saw the picture of this sewing caddy, along with a supply list and directions, I decided to make a similar one.

Here is what I found at the website Sewing:

Neck Ribbon Caddy Supplies:
1 1/8 yard (103cm), 1½” (3.8cm) wide blue plaid ribbon
1 1/8 yard (103cm), 1½” (3.8cm) wide blue grosgrain ribbon
½ yard (45.5cm) 3/8” (1cm) wide blue grosgrain ribbon
1 tape measure, 1 handful polyester stuffing, red felt scraps, embroidery scissors, thimble, sewing gauge

Directions:
1.Cut: Make a heart pattern. Cut one 1 1/8” x 4½” (2.8 x 11.5cm) pocket strip and 2 hearts from felt scraps. Cut 3/8” (1cm) wide grosgrain ribbon in 2 equal lengths. Cut tape measure off at 39½” (100.5 cm).

2. Assemble: Center and pin felt pocket strip to one end of plaid ribbon. Zigzag or use a decorative stitch along sides of felt pocket. Loop one narrow ribbon through scissors. Pin ribbon ends at raw edge of plaid ribbon and machine baste. Layer heart motifs together. Edge stitch, leaving 1¼” (3.2cm) top opening. Fold other narrow ribbon in half; center and tack fold to inside heart pocket. Center and machine baste ends to other plaid ribbon raw edge. Center tape measure on wide grosgrain ribbon. Edge stitch tape on all sides. With right sides together, stitch wide grosgrain to plaid ribbon with ¼” (6mm) seam across “heart” pocket end. Turn and press. With wrong sides together. Edge stitch ribbon sides.

3.Pin Cushion: Measure 4¼” (11cm) from open end, stitch across. Stuff tightly. Turn ¼” (6mm) raw edges inside and stitch closed.

I already had a small pincushion, so I did not need to make one. And instead of felt for the pocket, I had stashed pink flannel which I sewed on for a reading glasses pocket. The pink valentine heart bows were previously bought for my doggy, but she does NOT like to wear head ornaments. So I incorporated the bows as extra bling on the neck caddy.

The picture below shows supplies purchased for the project, and my resulting caddy is the bottom photo.

Now how neat is that?!

Sewing Caddy

When knitting or sewing, it seems like embroidery scissors, a measuring device, pins, knitting bead markers, etc. never seem to be quite within easy reach. While browsing craft ideas, I came across a clever sewing caddy which could be made fairly quickly and inexpensively. When I saw the picture of this sewing caddy, along with a supply list and directions, I decided to make a similar one.

Here is what I found at the website Sewing:

Neck Ribbon Caddy Supplies:
1 1/8 yard (103cm), 1½” (3.8cm) wide blue plaid ribbon
1 1/8 yard (103cm), 1½” (3.8cm) wide blue grosgrain ribbon
½ yard (45.5cm) 3/8” (1cm) wide blue grosgrain ribbon
1 tape measure, 1 handful polyester stuffing, red felt scraps, embroidery scissors, thimble, sewing gauge

Directions:
1.Cut: Make a heart pattern. Cut one 1 1/8” x 4½” (2.8 x 11.5cm) pocket strip and 2 hearts from felt scraps. Cut 3/8” (1cm) wide grosgrain ribbon in 2 equal lengths. Cut tape measure off at 39½” (100.5 cm).

2. Assemble: Center and pin felt pocket strip to one end of plaid ribbon. Zigzag or use a decorative stitch along sides of felt pocket. Loop one narrow ribbon through scissors. Pin ribbon ends at raw edge of plaid ribbon and machine baste. Layer heart motifs together. Edge stitch, leaving 1¼” (3.2cm) top opening. Fold other narrow ribbon in half; center and tack fold to inside heart pocket. Center and machine baste ends to other plaid ribbon raw edge. Center tape measure on wide grosgrain ribbon. Edge stitch tape on all sides. With right sides together, stitch wide grosgrain to plaid ribbon with ¼” (6mm) seam across “heart” pocket end. Turn and press. With wrong sides together. Edge stitch ribbon sides.

3.Pin Cushion: Measure 4¼” (11cm) from open end, stitch across. Stuff tightly. Turn ¼” (6mm) raw edges inside and stitch closed.

I already had a small pincushion, so I did not need to make one. And instead of felt for the pocket, I had stashed pink flannel which I sewed on for a reading glasses pocket. The pink valentine heart bows were previously bought for my doggy, but she does NOT like to wear head ornaments. So I incorporated the bows as extra bling on the neck caddy.

The picture below shows supplies purchased for the project, and my resulting caddy is the bottom photo.

Now how neat is that?!

Mending with Vintage Fabrics; Mending Hearts

Susan Cooke Kittredge, senior minister at the Old Meeting House, Vermont (daughter of Alistair Cook, whose “LETTER FROM AMERICA” was the longest-running commentary series in history.) Excerpted from “We ALL NEED MENDING” on THIS I BELIEVE, aired on National Public Radio in February, 2008, I would like to copy her writing here because I believe it to be valuable.

After reading through Kittredge's thoughts, I am posting a picture of my favorite work shirt which has been mended over many times with old linens. Each vintage piece incorporates beautiful embroidery work done many years ago by women whom I will never having the privilege of knowing.

by Susan Kittredge, taken from National Public Radio:

Like most women of her generation, my grandmother, whom I called Nonie, was an excellent seamstress. Born in 1879 in Galveston, Texas, she made most of her own clothes. Widowed at 43 and forced to count every penny, she sewed her three daughters' clothes and some of their children's, as well. I can knit but I cannot sew new creations from tissue-paper patterns. Whenever I try, I break out in a sweat and tear the paper. It clearly requires more patience, more math, more exactitude than I seem willing or capable of giving.

Recently, though, I have come to relish the moments when I sit down and, somewhat clumsily, repair a torn shirt, hem a skirt, patch a pair of jeans, and I realize that I believe in mending. The solace and comfort I feel when I pick up my needle and thread clearly exceeds the mere rescue of a piece of clothing. It is a time to stop, a time to quit running around trying to make figurative ends meet; it is a chance to sew actual rips together. I can't stop the war in Iraq,

I can't reverse global warming, I can't solve the problems of my community or the world, but I can mend things at hand. I can darn a pair of socks. Accomplishing small tasks, in this case saving something that might otherwise have been thrown away, is satisfying and, perhaps, even inspiring.

Mending something is different from fixing it. Fixing it suggests that evidence of the problem will disappear. I see mending as a preservation of history and a proclamation of hope. When we mend broken relationships, we realize that we're better together than apart, and perhaps even stronger for the rip and the repair.

When Nonie was 78 and living alone in a small apartment in New Jersey, a man smashed the window of her bedroom where she lay sleeping and raped her. It was so horrific, as any rape is, that even in our pretty open, highly verbal family, no one mentioned it. I didn't learn about it for almost five years. What I did notice, though, was that Nonie stopped sewing new clothes. All she did was to mend anything she could get her hands on as though she could somehow soothe the wound, piece back together her broken heart, soul and body by making sure that nothing appeared unraveled or undone as she had been.

Mending doesn't say, "This never happened." It says instead, as I believe the Christian cross does, "Something or someone was surely broken here, but with God's grace it will rise to new life." So too my old pajamas, the fence around the garden, the friendship torn by misunderstanding, a country being ripped apart by economic and social inequity and a global divide of enormous proportions — they all need mending.

I'm starting with the pajamas.

Each time I mend, I think of Susan Cooke Kittredge and her thoughtful commentary.

This is my work shirt that is in a constant state of "mending", because each time the shirt is washed, some of the vintage embroidery work frays. Those torn pieces are covered over with newer pieces of linens, be it hankies, pieces of antique tablecloths or napkins or even old table runners.

Just like the repairing of this shirt, I believe we are in a continual state of mending over wounds, be it in the loss of expectations or ways in which we have disappointed others and ourselves.

It is something to think about.

Plain White Blouses - Jazz 'em Up

...have a plain, white shirt that needs a little jazzing up? Embroidery and vintage pieces of needlework did the trick on one of my staple white blouses.

The birds and hearts were copied from Sue's Tree House, cool designs for diverse uses.

This design was drawn up atop a linen handkerchief, embroidered, and ironed atop Wonder Under before being appliqued onto the blouse. The blouse was a very thin cotton, so adding the embroidered images helped with the "see-through" issue.

Here is a vest repurposed with appliques and embroidery:

This is a blog you might like to visit; it has lots of vintage items: Emmamyrtle's Blog.

Angels Used in Embroidery

This site, Checkered Houses, displays artwork from over thirty artists.  Many are folk artists. 

Paul Flack drew the angel shown above. 

Paul began to look for that sense of fulfillment in painting, inspired by the likes of visionary artists. He had painted earlier in his life for a short time. As his spiritual quest grew, he became intrigued with the concept of angels. Angels are spiritual in nature, not religious and span time and appeal to all ages.

His angels are colorful, eye-catching, and unique in their forms. They appeal to everyone whether you believe in them or not and encourage the imagination to wonder in terms of what the painting means to each individual. It is in this, that Paul finds his fulfillment.

This will make an interesting outline for embroidery work on the back of a work shirt.  The lines are simple, and can easily be drawn from the photo onto paper or cloth for further embellishment.

Here is one similar angel embroidered from a kit, and sewn onto cloth, then appliqued on the backing of a woman's vest:

We need all the angels available to surround us, so why not on our clothing?

Wrens With Attitude

I came across a cool blog post by Andrea where she was talking about birds, their teeth and their expressions.  She says, in part

...no real bird has choppers like cartoon birds. Here is a list of cartoon birds that at one time or another have had dental issues: Woody Woodpecker, Donald Duck, Woodstock, Daffy Duck and Iago. Some claim that the whole cartoon bird with teeth phenomenon started in an attempt to give a bird the character of a human.

Andrea then goes on to say that her images may portray the bird's expressions to be surprised, angry, happy, etc.

Cute expressions, eh?  I think she captured them pretty well.  She has a lot of cool artwork for sale in her etsy store that you can find at BadBirds Art and Embroidery Patterns.

Along that same line, here is a close up of some wrens I am working on in oils.  The canvas is 12" x 36", gallery wrapped.  I'll add some different bird expressions on the second canvas, using some of Andrea's tips.

Smocking and How to make Shell Smocking Ribbon trim

Craftside shows how to turn flat ribbon into a 3-dimensional look with a simple stitch to draw up the ribbon. This type finish for ribbon

... can be used on just about anything from a fun party dress to home decor like a pillow or edge of a curtain.

Click on the picture at the right to enlarge and read directions about how to draw up the ribbon for smocking. It creates an unusual and dressy effect for sewn edgings.

In 2004, my friend Kathy's daughter was welcomed and blessed into her church in a formal ceremony. I made a sweet white christening dress for little Ellen with a matching under-dress. The smocking method of drawing up fabric on the collar was used, with further embroidery on the collar and lots of lace eyelet added. (If I had known how to make shell smocking with ribbon back then, you can bet I would have employed that technique on Ellen's dress.)

Here is a picture of Kathy and Ellen in her christening dress (above), and then a close up (below) of the smocked collar.

It was lots of fun making this dress for a close friend and her very special daughter, who is now seven years old.

Kathy and Ellen, I'm coming to see you soon, and bringing clay for us to play with!

How to Make Altered Beaded Broach Jewelry

In Friday's blog post, Carol's Pin Swap was mentioned. Over the weekend, I made two altered art broaches for this exchange. One piece was made from a silver heart broach, and one from a polymer based "sun face" pin.

The two broaches are altered art projects. Heavy cardboard was cut from scrap material to make the backing, and also for stability of the pin. On the back of each broach, coordinating fabric was cut in the shape of the back base, glued to the cardboard and trimmed when dry.

Black, white, blue and green were the predominant colors in the sun faced broach, surrounded by coordinating colored glass and polymer beads threaded onto head pins; those threaded beads and more tiny green seed glass beads were glued to the plastic backing around the sun face.

The silver pin was a heart shaped broach which I altered by using a photograph of my mom, then embellishing it with gold leaf and the burnished photo cut to fit the inside of the heart. Beads were threaded onto headpins, turned for closing with needle nosed pliers, and then attached to the silver base heart with jump rings. Further embellishment with gold colored glass beads were then glued onto the photo face.

Again, the The Sassy Art Goddess' rules for this swap are:

Create a brooch/pin no larger that 2 ½ x 2 ½ inches. Anything goes for the faceas long as it implies a human face and has some beads. Polymer clay, buttons, paper, clay, felting, image transfer, bead or regular embroidery, what ever strikes your fancy. This is a 1 -1 swap. Due to me by September 26th. You must include return postage of $5.00 or a Priority Stamp and return mailing label. If you do not send return postage, your pin is mine. International swappers welcome and encouraged. Please include a note with your real name and screen name, mailing address, title of your piece and any other info you think might be nice to know about your piece. All pins/broaches will be swapped and mailed the first 2 weeks of October. This is a fun, fast swap and great opportunity for all you newbies to try your hand at creating something.

Can't wait to see what comes back to me in the mail in October!

Fairies and their Origin (Part I)

According to Charles Perrault,

The word Fairy is derived from the ancient "faunoe o fatuoe" which, in the pagan mythology, indicated the faun's (deer) companions, creatures endowed with power of foretelling the future and ruling the human events. The word Fairy also comes from "fatigue", which in Middle Ages was synonymous with "wild woman", that is woman of woods, waters and, in general, of the natural world.

Fairies are so prevalent in mythical culture that it's natural to wonder where they came from. Different societies have come up with very different explanations of the origins of 'the little people'.

The Little People are said to be the dispossessed early tribes of the British Isles.They faded away into uninhabited places, growing smaller and smaller with time as they were forgotten and passed into legend. The Tuatha de Danann, People of the Goddess Dana, ruled Ireland before the Milesian invasion. They were driven underground where they became theDaoine Sidhe fairies.

The Irish believe that the fairies are a previously conquered society, the Tuatha De Danaan (People of the Goddess Dana), who were driven into hiding when the Celts invaded Ireland. The Pagan gods of the Tuatha, skilled in building and magic, went underground to live in the tombs and mounds they had built. Hidden from sight, they grew smaller in the popular imagination until they turned into fairies.

Other cultures believe that fairies are the souls of the dead, people not good enough to enter Heaven yet not bad enough for Hell. They wander the Netherland in between and are occasionally seen by humans. Along a similar theme, fairies are also believed to be angels that had been cast out of Heaven. Some fell into the sea and some onto the land, where they would do no harm if left alone.

In Wales, fairies are thought to be a race of invisible spiritual beings living in a world of their own. Some people also believe that fairies were originally local gods or nature spirits that dwindled in majesty and size over time.

In any case, those ethereal creatures have held my fancy since childhood. Beautiful pictures of fairies can be found here and here and here. These sites held me captive for long minutes. Then I decided to draw, color and then embroider one of these captivating images onto a vintage pillow cover.

Using previous instructions given on June 25 and the excellent tinting linen tutorial originating from Giggleface, here are the first steps toward embroidering this fairy project to be used on a pillow casing:

1) Find a transfer you like of a fairy or whimsical creature, or draw one yourself. An easy transfer can be found here: fairy (in the middle of the page is a tooth fairy for download);

2) Draw or transfer your image onto the pillow case fabric; be sure to use a transfer pen like Sulky;

3) begin the coloring/tinting of the fabric and go on to the embroidering process. Excellent embroidery "how-to" skills can be found here.

The next post will show the completed pillow project with the fairy in pinks.

Aprons: Some Free Vintage Patterns

From The Sew Weekly, this week's theme is aprons.

As hard as it is to believe, there was once a time when women cooked in clothes that they didn't want to get dirty! Yes! It's true! And then the 1960s happened, clothing got a whole lot cheaper to make and buy and the idea of *not* wearing your party dress while you made some sort of gelatinous dish was born. While wearing an apron today has become more of a kitchy nod to the past, there has certainly been a resurgance of aprons as textile art.

Although I am not in that perfect age group to wear aprons, I still do it.

And IMHO, the perfect age group is either young (ages 4 to 29) or old (just a bit older than I!). 

Last week, I wore this apron to painting group, and got a funny look from a guy in an even older age group.  It probably is not attractive from the back view, if ya know what I mean, but it is very cute from the front:

pocket with embroidery, watercolor and crayon embellishment

A big lot of vintage FREE patterns for aprons can be accessed here.  Now go make one!

Thread Painting, Needle Painting

There is nothing new under the sun.  That Old Testament saying definitely applies to what I though was a "new" technique of painting with thread.  And here I thought that drawing my pup with embroidery stitches was going to be a state of the art gift for my husband.

Several years ago I painted our nine year old shih tzu Mercy, and the husband has been asking for a companion piece of our eight year old dog Libby Sweetpea to hang up in his office over his computer.

Mercy in Oils, 2006

So I decided to try and embroider the second dog using just threads to make her portrait (as a surprise Christmas present).

Half way through the project of stitching Libby Sweetpea's face in white wool threads, I found all sorts of references to thread painting.  Even an e book is available free from Quilting Daily entitled The Art of Thread Sketching: Free Thread Drawing and Thread Painting Techniques.  Just join Quilting Daily and you can download the book without charge (no charge to join Quilting Arts, either)  Excerpted from that e book:

Think of thread as you would paint: you can make dots, smooth strokes,or long, sinuous curves. Like paint,you can apply thread sparingly or very heavily.  Going over an area with several layers of thread can create wonderful texture, but you need to make sure our surface is sufficiently stabilized to support these layers without puckering. 

Pinterest has beautiful images of thread work, but does not allow for copying of their images.  If you log in, you can see stunning needlework pinned by others under the category of "needle painting" or "thread painting."

Here is a half baked version of Libby, and no, it was not completed in time for Christmas.  Still need to work on her eyes, nose and little buck tooth.

Wonder if Libby approves so far?

Updated December 30, 2014 (yes, after Christmas)...

Knitted Wire and Beaded Bracelet

Attempting to make a bracelet with about two hundred 4-10mm glass beads, I was hung up on a technique relating to securing the beads to a flat surface. This video was helpful:

and here was good information and a free pattern to make another attractive bracelet.

With stretchy cord in hand, the first attempt was too bulky.  Rip.  Out it went.

There was another attempt at beading a bracelet, but the fiber was polyester, too thick to easily bead, and  too glitzy:

A third attempt at beading yet another bracelet using waxed weaving floss (a small diamater orange macrame thread) resulted in this clash of colors:

Below is a picture of the final cuff.  It was made in a similar manner to that found free at this site. Not only did I end up knitting on size 3 needles and copper wire, but also added embroidery floss crocheted edges.

At Spun Magazine, the author of this pattern says:

If you are one of those knitters that has to touch every yarn you see (and owns a good bit of it), then you probably look at the myriads of beads on the market with an envious eye. All of those colors and textures are just begging to be tried. But – how can you possibly knit with every yarn and learn to bead at the same time? Here’s a logical solution: knit with beads.

Like you, I like to try new ideas, but so many seem to take too long to learn or too much of an investment. That is what led me to design a beaded bracelet that a beginner knitter could do with expert results. While knitting jewellery is a bit more tedious, in just a couple of hours you will have a piece that costs hundreds of dollars at a jewellery show (and you can say you knit your original yourself). 

There are thousands of beads: glass, crystal, gemstone, clay, wood, etc. Any of which could be incorporated into a unique piece of jewellery, but for a basic bracelet (shown here in blue topaz, crystal quartz, and aquamarine) I recommend beads approximately 4mm in size.

Give it a go and made a beaded bracelet, if you have the will.  It is not a project for the faint of heart.   I'm thinking that was my last beaded bracelet knit with wire the size of dental floss.

Using Vintage Crochet Today

Wonderful friend Dorothay sent me a HUGE box of vintage embroidery, crocheted collars, laces, hankies and table runners she had garnered from her late sister's priceless hand made needlework. Some pieces go back over 100 years to grandmothers and great-grandmothers on both sides of the family.

Talk about a pig in heaven ... I was thrilled!

Now what to do with this beautiful box of goodies. An internet search came up with over two million websites relating to vintage crochet. Here are a few I found especially interesting:

Craftown

vintage-crocheted-edgings

Anything with an edge is a candidate for adding some crochet to it. A nightdress with crochet edging at the Purl Bee showed this idea of using an I cord to attach a piece of crochet to fabric to create a shoulder strap. The original owner of the idea could not be tracked down (her name is Leah). So there is no website to visit for her idea, but what a cool way to create a feminine touch to any sleeveless blouse.

I am using this idea to add a unique touch to an existing ivory colored camisole. (pictures tomorrow if this works out!)

Thank you so much, Dorothy, for passing this needlework on to me.

Corsets or "How to Make Your Own Girdle"

This illustration is from VintagePatterns. The type is in a small font, so you might not be able to clearly read it. The caption says:

"NOT ONLY HAVE I LOST MY SHEEP, THIS CORSET IS KILLING ME."

This picture and caption are too good not to use as a whimsical embroidery piece on a purse or quilt square.

With the advent of Oprah and her endorsement of Spanx, corsets have made a comeback, but in a much more comfortable venue.

The owner and founder of Spanx is Sara Blakely. What a gal. She had a great idea, and produced a successful company making comfy, workable girdles. Blakely even gave back $1 million to the OprahWinfreyLeadershipAcademy in 2007 in appreciation for Oprah's bringing Spanx to public attention back 8 years ago.

Not wanting to take anything away from Sara, I found a less expensive alternative HERE which says:

Starting at $25 a pop, they (Spanx) are a rather pricey solution to an embarrassing problem. But with some scissors, and old pantyhose, you can achieve the Spanx effect without paying the Spanx price!

Basically, you buy a pair of control-top pantyhose, cut off the legs, and you have made your own sized-to-fit corset. Granted, it would not look too attractive when undressing in front of your favorite person, but it could save some dollars.

Needlepoint for a Mouse

Trying to get more even stitches, I ventured out for a second piece of needle point work.  Cotton embroidery floss is what comes in most kits for about ten bucks, so I really could not complain about the quality of the fiber, but cotton floss is not near the quality that wool gives in stitching.  My continental stitches are beginning to show some improvement in tension.

Anyhoo, here is another 5" x 5" piece of needle point, again from a kit, but this time from overstock.com for a low price.  Who can argue with a happy red ladybug wanting to be a mouse pad?

The computer mouse did not glide over the stitches so it was encased in plastic, which works much better.  Plastic is from a bag, recycled and repurposed for this use.  It was fun.

Crafting with the Lutherans

Tomorrow and Saturday the church ladies (and a few men helpers) will be involved in the

FALL BAZAAR HOSTED BY ALC WOMEN’S MINISTRIES

• October 17 – October 18, 2014
 
• 9:00 AM to 2 PM

LUNCH SERVED BOTH DAYS  11:00 AM TO 1:30 PM

EAT-IN OR TAKE-OUT AVAILABLE

HOMEMADE JAMS, BAKE SALE, LEFSE, HOLIDAY DECORATIONS, QUILTED ITEMS, GIFT BASKETS, EMBROIDERY AND MORE!

Friday hours are 9 AM to 2 PM      Saturday hours are 9 AM to 2 PM

Bazaar proceeds benefit ALC Women’s Ministries and local service organizations

Here are the knitted items I've knitted over the past couple of years and will donate to the bazaar to perhaps bring in a few dollars for the American Lutheran Church ministries:

The Elowen shawl on Ravelry:

and the Wilhelmina Shawlette on Ravelry, including a few color coordinated accessories:

This week I finished knitting the Norwegian Shawl by Sivia Harding, with yarn from Louet Gem merino fiber. This project took four weeks to knit.  There were very few problems in crafting this lace shawl; it was well written and the yarn was very well behaved. Generally, I wear shawls with the spined upper edge at the neck and the longer pieces wrapped around and, so the finished dimensions of 62 inches in length (29 inches in depth) will give adequate coverage to the neck, shoulder and front area.

Joining in with Fiber Arts Friday, Creative Friday at Natural Suburbia and Yarn Along for sharing.